I've always been drawn to the rich, expressive, percussive, and ambient sounds of synthesizers — from lush pads to gritty hip-hop beats, the expressive palette of electronic music is an incredible playground. But despite my obsession with production and sound design, I'm classically trained in piano and violin, and I believe no song is complete without a strong melodic hook and real emotional storytelling. These artistic visions come together in the Junovion project.

For most of my career, my days have belonged to medicine — and for a long stretch, specifically to sleep: its architecture, the rhythms that govern it, the strange and vivid places the mind wanders once the lights go out.

I hesitate to label my music with a single genre, as it feels limiting. But I listen a great deal to classical music (Bach, Mendelssohn, in particular), ambient/neo-classical electronic artists (Sunbyonic, Nils Frahm, Ólafur Arnalds, Tycho, Jon Hopkins), 80–90's synth-pop acts (Depeche Mode, OMD, Alphaville, and New Order), and anthemic songwriters like U2 and Snow Patrol. It's a joy to take inspiration from these creative trailblazers and infuse my own imagination and sonic palette into Junovion.